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Northwestern University
--- EVANSTON, Ill.
A new study by Northwestern University researchers
suggests that Mom was right when she insisted that you continue
music lessons -- even after it was clear that a professional music
career was not in your future.
The study, which will appear in the April issue of
Nature Neuroscience, is the first to provide concrete evidence that
playing a musical instrument significantly enhances the brainstem's
sensitivity to speech sounds. This finding has broad implications
because it applies to sound encoding skills involved not only in
music but also in language.
The findings indicate that experience with music at
a young age in effect can "fine-tune" the brain's auditory
system. “Increasing music experience appears to benefit all
children -- whether musically exceptional or not -- in a wide range
of learning activities,” says Nina Kraus, director of Northwestern's
Auditory Neuroscience Laboratory and senior author of the study.
“Our findings underscore the pervasive impact
of musical training on neurological development. Yet music classes
are often among the first to be cut when school budgets get tight.
That's a mistake,” says Kraus, Hugh Knowles Professor of Neurobiology
and Physiology and professor of communication sciences.
“Our study is the first to ask whether enhancing
the sound environment -- in this case with musical training -- will
positively affect the way an individual encodes sound even at a
level as basic as the brainstem,” says Patrick Wong, primary
author of “Musical Experience Shapes Human Brainstem Encoding
of Linguistic Pitch Patterns.” An old structure from an evolutionary
standpoint, the brainstem once was thought to only play a passive
role in auditory processing.
Using a novel experimental design, the researchers
presented the Mandarin word “mi” to 20 adults as they
watched a movie. Half had at least six years of musical instrument
training starting before the age of 12. The other half had minimal
(less than 2 years) or no musical training. All were native English
speakers with no knowledge of Mandarin, a tone language.
In tone languages, a single word can differ in meaning
depending on pitch patterns called “tones.” For example,
the Mandarin word “mi” delivered in a level tone means
“to squint,” in a rising tone means “to bewilder,”
and in a dipping (falling then rising) tone means “rice.”
English, on the other hand, only uses pitch to reflect intonation
(as when rising pitch is used in questions).
As the subjects watched the movie, the researchers
used electrophysiological methods to measure and graph the accuracy
of their brainstem ability to track the three differently pitched
“mi” sounds.
“Even with their attention focused on the movie
and though the sounds had no linguistic or musical meaning for them,
we found our musically trained subjects were far better at tracking
the three different tones than the non-musicians,” says Wong,
director of Northwestern's Speech Research Laboratory and assistant
professor of communication sciences and disorders.
The research by co-authors Wong, Kraus, Erika Skoe,
Nicole Russo and Tasha Dees represents a new way of defining the
relationship between the brainstem -- a lower order brain structure
thought to be unchangeable and uninvolved in complex processing
-- and the neocortex, a higher order brain structure associated
with music, language and other complex processing.
These findings are in line with previous studies by
Wong and his group suggesting that musical experience can improve
one's ability to learn tone languages in adulthood and level of
musical experience plays a role in the degree of activation in the
auditory cortex. Wong also is a faculty member of Northwestern's
Interdepartmental Neuroscience Program.
The findings also are consistent with studies by Kraus
and her research team that have revealed anomalies in brainstem
sound encoding in some children with learning disabilities which
can be improved by auditory training.
“We've found that by playing music -- an action
thought of as a function of the neocortex -- a person may actually
be tuning the brainstem,” says Kraus. “This suggests
that the relationship between the brainstem and neocortex is a dynamic
and reciprocal one and tells us that our basic sensory circuitry
is more malleable than we previously thought.”
Overall, the findings assist in unfolding new lines
of inquiry. The researchers now are looking to find ways to “train”
the brain to better encode sound - work that potentially has far-reaching
educational and clinical implications. The study was supported by
Northwestern University, grants from the National Institutes of
Health and a grant from the National Science Foundation.
Original Link at:
http://www.northwestern.edu/newscenter/stories/2007/03/music0.html
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